I’ve Had a Few
I’ve had a few. Regrets. A few too many.
I’m hung over with that ache, the burn
of unrecoverable loss; I yearn to get it back
so I can put it right, but turn away. That is a sight
for strong men.
I’ve binged on other things that took my sense away.
Life’s T.A.B. next door, I gambled on my sozzled nous.
That worked out how? I have those slips still somewhere,
worthless, now as then.
I’ll crack another bottle of cold memory.
A minute’s silence, please: remembrance of
events long-dead, in effervescence of regret.
A swig. Those bubbles scour my sinuses and
In my cups I taste the salty sacrifice historians
don’t taste, while bringing back to life the dead.
I pawned time for another shot, time and time
again I’d do it. I still have some here somewhere.
Ah, those tickets.
But I know,
some day, like fallen leaves returning to the tree,
on that counter, my tickets all arrayed
will be, in antique red, marked, “Paid.”
Continue reading “I’ve Had a Few”
It’s a movie about the singer in a band, and it hangs on the music. The music is pretty good. The singer -songwriter is Ian Curtis, and the band is Joy Division. Joy Division, which transmuted into New Order after Curtis’ death, were after my time, and I was not familiar with any of their music. Bowie tunes in on the soundtrack early on; there’s a touch of Kraftwerk, Iggy Pop, The Buzzcocks and Various Artists of the period. Joy Division feature, not unexpectedly, and New Order provides a track or two, plus incidentals. Some of it illustrates the unreasonableness of showing this movie in any venue without a dance floor. The actor-musicians—or musician-actors—roll their own in all scenes of the band playing, and a fine fist they make of it. I could be persuaded that the development of New Order‘s music influenced the covers on-screen, especially in the drive of the drumming. Continue reading “Joy. Division.”
Peter and I went to the movies last Tuesday to see The Assassination of Jesse James by the Coward Robert Ford.
We came out pretty much shell-shocked, so to speak. Neither of us had any problem with the length of the movie, although Peter started to wonder how things would develop while the first scene—in the forest on the afternoon before the train robbery— was being played out. With nightfall, the movie wrapped itself around our attention and didn’t let go until the credits were rolling. Continue reading “Jesse and Bob”